twitchquotes:Hey, Yassuo! Big fan of the stream, I can't believe you're not playing Yasuo as much anymore...RIP. I guess that's what happens when Yasuo gets gutted, lol. Anyways, I'm trying to learn to play Shaco. I just have a question about the skill build: Should I max Backstab like you backstabbed Trick, Deceive like you deceived Trick, or Hallucinate like you made Trick hallucinate about being able to play at Twitch Rivals with his friends?
Hey, Yassuo! Big fan of the stream, I can't believe you're not playing Yasuo as much anymore...RIP. I guess that's what happens when Yasuo gets gutted, lol. Anyways, I'm trying to learn to play Shaco. I just have a question about the skill build: Should I max Backstab like you backstabbed Trick, Deceive like you deceived Trick, or Hallucinate like you made Trick hallucinate about being able to play at Twitch Rivals with his friends?
60 fps is too smooth
twitchquotes:Who cares! It is a scientific fact that the human eye cannot tell the difference. In fact i'd argue that 60 fps looks worse. 60 fps is too smooth, it's like petting a shark, the scales (frames) are too smooth so it cuts your hand (eyes), while 30 fps is nice and stable and gives you a better immersion because the frames travel a longer distance so the world looks bigger
Who cares! It is a scientific fact that the human eye cannot tell the difference. In fact i'd argue that 60 fps looks worse. 60 fps is too smooth, it's like petting a shark, the scales (frames) are too smooth so it cuts your hand (eyes), while 30 fps is nice and stable and gives you a better immersion because the frames travel a longer distance so the world looks bigger
Unrealized losses
She runs her hand through your thinning hair and laughs. “What?” you ask absentmindedly. You’re looking at Futures, and you’re surprised to see them red.
“I want you to play with me.” She says it playfully, but the single ounce of you that isn’t totally aloof realizes she said this in earnest. And so you do. You throw your phone, and you pin her to the sofa, then the ground. You both roll about, wrestling, like lion cubs. Kissing, lightly biting. Sometime later, you both stop, breathing hard. She grabs an open bottle of red wine, and you pass it back and forth. Eventually she says, “I want to do that more.”
But you’ve already found your phone again to check Futures. Still red. “Uh huh,” you say, distracted. She stares at you for a long moment, but you don’t realize it. Silently, she gets up and goes to bed, and you don’t say a word because you don’t notice.
She hasn’t left you yet, but she will soon.
Unrealized losses.
She runs her hand through your thinning hair and laughs. “What?” you ask absentmindedly. You’re looking at Futures, and you’re surprised to see them red.
“I want you to play with me.” She says it playfully, but the single ounce of you that isn’t totally aloof realizes she said this in earnest. And so you do. You throw your phone, and you pin her to the sofa, then the ground. You both roll about, wrestling, like lion cubs. Kissing, lightly biting. Sometime later, you both stop, breathing hard. She grabs an open bottle of red wine, and you pass it back and forth. Eventually she says, “I want to do that more.”
But you’ve already found your phone again to check Futures. Still red. “Uh huh,” you say, distracted. She stares at you for a long moment, but you don’t realize it. Silently, she gets up and goes to bed, and you don’t say a word because you don’t notice.
She hasn’t left you yet, but she will soon.
Unrealized losses.
"When the Impostor is sus" but formal
When the person who pretends to be someone else in order to deceive others, especially for fraudulent gain is giving the impression that something is questionable or dishonest, causing one to have the idea or impression that they are of questionable, dishonest, or dangerous character or condition.
When the person who pretends to be someone else in order to deceive others, especially for fraudulent gain is giving the impression that something is questionable or dishonest, causing one to have the idea or impression that they are of questionable, dishonest, or dangerous character or condition.